This Is Why We Can’t Have Nice Movies


This box office results for this weekend are in, and Taken 2 is an overwhelming winner. With $50 million in American ticket gross and $67 million internationally, the PG-13 action-thriller easily made back its $45 million budget and had one of the biggest openings of any film in 2012.

Good for it. That’s a successful movie and Liam Neeson is a great actor who has adapted well to the role of action star. But here’s what wrong with this story: Taken 2 is boring. It’s unoriginal and uninspired and exactly what everyone complains about when they talk about how insipid modern Hollywood is. That is because it is a sequel in the worst sense. The surviving characters from the past film all appear and enact essentially the same plot as the first film—iconic phone call and all. Watch the trailer below.


People complain all the time about the lack of originality among movies these days, and with good reason. Let’s return to the box office receipts for the year of 2012 and look at what films rank in the top 10 for total gross:

Rank Film Domestic Gross Opening
1 Marvel’s The Avengers $623,357,910 $207,438,708
2 The Dark Knight Rises $444,695,205 $160,887,295
3 The Hunger Games $408,010,692 $152,535,747
4 The Amazing Spider-Man $261,765,954 $62,004,688
5 Brave $233,768,624 $66,323,594
6 Ted $218,331,000 $54,415,205
7 Madagascar 3: Europe’s Most Wanted $216,132,292 $60,316,738
8 Dr. Seuss’s The Lorax $214,030,500 $70,217,070
9 MIB 3 $179,020,854 $54,592,779
10 Ice Age: Continental Drift $179,020,854 $46,629,259
47 Taken 2 $50,000,000 $50,000,000

Extrapolating, Taken 2 is going to do pretty well, enough to probably put it in the top 20 grossing films for the year. Nevertheless, Taken 2 is a very bad movie. It’s sitting at a 19% rating on Rotten Tomatoes. And looking specifically at the high-achievers this year, that makes sense. We have, in order: a mega-crossover/sequel, a threequel, a film based off an extraordinarily popular book series, a reboot (5 years off the last installation), an original Pixar film (!), Ted—original, but so entirely reliant on pop-culture for its gags that it comes off the as regurgitation of 20s years of Hollywood—, a threequel, a Dr. Seuss adaptation, a threequel, and a fourth film from the Ice Age series.

Sure, some of these are good—almost all of them are better than Taken 2. But it just goes to show that the viewer is rewarding a Hollywood procedure that makes movies informed on past successes. As long as a series keeps on making money, Hollywood will continue to exploit this formula to rob movie-goers who, allegedly, look for imagination in their movies. The only way for this system to change is to stop paying to see the same or essentially the same thing.

So don’t see Taken 2. Just watch Taken 1 again, if you really want to. Or to see Liam Neeson fight wolves instead of Serbians, watch The Grey.


Attribution

Box Office Mojo


  • Tony Russo

    I should note that I haven’t actually seen Taken 2. This pattern is well-established outside this film, though.

    • NickPeterson

      Tony Russo Liam Neeson is the king Midas of Hollywood. Taken 2 is an emotional thrill ride from start to end.

  • JohnHalloran

    Your point is well taken – no pun intended, people who make puns should be dragged behind horses – but you do realize Liam Neeson is going to be forced to kill you, right?

    • Tony Russo

      JohnHalloran He’ll be too busy filming Taken 3

Commentary Ticker

  • Google Glass Lets You Take Photos With Your Brain
    July 12, 2014 | 4:02 pm

    If you haven’t heard, electroencephalograms (EEGs) have been getting better. Way better. Artificial limbs and even video game controllers are utilizing the non-invasive brain-wave monitoring method to guide computers by thought. Now English startup This Place has developed a way to bring the technology to Google Glass, allowing Google’s wearable to read your mind. Well, […]

  • Android Art: The Accidental Selfies of Google Art Project
    July 5, 2014 | 11:11 am

    Within the cultural centers of the world lurks a mechanical beast draped in silver spinning madly and capturing everything, sometimes even itself. In 2011 Google created the Art Project, an initiative to bring their Street View technology inside the cultural epicenters of the world. Google enlisted 17 world-class museums in short time. Institutions such as […]

  • Purple Mountunes Majesty: The Most Patriotic Playlist
    July 4, 2014 | 12:13 pm

    A while ago, Paul Lamere of The Echo Nest, a music-analysis company, took to finding each state’s most distinctive, yet popular, artist in a viral article. Spotify took note, purchasing Echo Nest for their analytical talent. Together, they’ve released a blog post documenting each state’s most distinctively American song creating a patriotic playlist for the […]

  • Emojinealogy: Where the Heck Emojis Come From
    July 2, 2014 | 3:10 pm

    On June 16th, the Unicode Consortium announced that 250 new emoji would be added to the list of symbols available to people’s cellphones and computer devices. The list of the new symbols can be found on Emojipedia. And no, the list doesn’t include the much needed minority representation, but it does include your favorite (?) […]

  • The Decline and Fall of the American Mall
    June 24, 2014 | 9:07 pm

    For ages, the shopping mall was as essential to the architecture of suburbia as Levittowns and freeways. But in an era of online shopping, these epicenters of brick and mortar yesteryear are quietly being abandoned across the country. While the U.S. currently has around 1,500, the number may soon shrink, and rapidly, leading to abandoned […]

  • RSSArchive for Commentary Ticker »

Join our mailing list!



Trending on The Airspace